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Jennifer Thomas

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Hometown	North Bend, WA
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Band Members	Jennifer Thomas
Achievements	» more
Upcoming Shows	None

Contact Information:	Artist / Band Member Jennifer Thomas jennifer@jenniferthomasmusic.com 425-753-9641
# Years Experience Performing Live:	7
# Live Perfomances Past Six-months:	10
Venue History:	Baldassin Pianos - Salt Lake City, UT Benaroya Hall - Seattle, WA Piano Gallery - Idaho Falls, ID Sherman Clay - Bellevue, WA LDS Church - Bellevue, WA LDS Church - Issaquah, WA LDS Church - Arlington, WA Piano Haven - Kenmore, WA Roosevelt Hotel - Seattle, WA Temple Square - Salt Lake City, UT BYU Idaho - Rexburg, ID Portland PDX - Portland, OR Hammond Ashely Violins - Issaquah, WA
Similar Artists:	Jace Vek; Myleene Klass
Performing Rights Society:	ASCAP
Discography:	The Lullaby Album LP—2009; Key of Sea LP—2007

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About the Artist

Jennifer started playing the piano and violin at age 5, and graduated from BYU-I in Piano. She has competed/performed in classical piano for over 25 years. She performed as a soloist with SLC's Murray Symphony, SLC Temple Square Concert Series for 3...

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Achievements

All Instrumental Winner, August 2014

Cover Bands Winner, November 2010

June 2009 Instrumental

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Press Coverage

SHS Alum, Striking the Right Chord by Bridget Budbill - StanwoodNews
Jennifer Thomas has been a musician since the days here pajamas had attached booties. Thankfully, she's improved since the days she pounded away at her toy piano beneath the family Christmas tree. Thomas, a Stanwood High School graduate from the class of 1995, is now releasing her first album titled "Key of Sea", and the mix of classical and new age compositions promises to leave listeners sailing. It's classical crossover - the music is classical with newer elements, updated to sound fresh," said Thomas. Musical success is no stranger to Thomas, whose childhood dedication led her to become the only second grader in the sixth grade orchestra - she was the concert master, too. "To me, I was just sitting where they told me to," said Thomas. Humility isn't the only thing Thomas, now a married resident of Bothell, learned from her mother, Carolyn Southworth. Southworth, a Camano Island resident, is also an accomplished musician and released her own first album of piano compositions in October. The album, "At the End of the Day" is currently on airwaves in 20 countries. Being a Southworth child meant early mornings of piano and violin lessons from Mom herself - and that was before driving to 7:30 a.m. orchestra practices at school before class began. Being a musician myself, I couldn't help but have music in the home, " said Southworth, who taught Jennifer and her three sons to play the piano. Jenni was different - playing just ignited a fire inside her," said Southworth. Thomas remembers the moment she embraced the piano as a source of joy. She was watching the Frank Sinatra and Gene Kelly musical comedy "Anchors Aweigh" as a 12-year-old girl. One of the movie's most memorable scenes depicts a rehearsal at the Hollywood Bowl, where some 20 grand pianos rehearse together onstage. All 20 of these pianists were my age, and they were playing Liszt's 'Hungarian Rhapsody No. 2,'" said Thomas, who begged her mother to buy her the sheet music, even though it is arguably one of the most difficult piano pieces to master. She had no clue about how difficult it is - it's horrendous," said Southworth, "She was discouraged at first, but she would not give up." Southworth warned her daughter of the music's difficulty but bought it anyway. I wanted to play it so badly that I never thought twice about how hard it was," said Thomas. It took Thomas four years, but she did it. Like any typical teenager, Thomas enjoyed playing loud music. However, rather than hair bands or gangsta rap, she fancied practicing songs of Rachmaninoff and Beethoven. "In their era, their music was a step ahead of the time, and it was faster than many other piano songs I was given," said Thomas. During her college years at Brigham Young University - Idaho, Thomas began playing the violin again, and continued to grow as a pianist in various performing groups at school. Again, a piece of incredible difficulty peaked her interest. This time it was the Prokofiev's "Piano Concerto No. 3," and Thomas said playing the piece was like a three-ring circus for her hands. That piece was literally acrobatics for my fingers," Thomas recalls of the roughly 40 pages of memorized music, consisting of so many multiple crossovers, atonal chord structures, and glissandos that her fingers bled on numerous occassions. After graduation from college, Thomas spent several years playing with different performing groups and in concert series in Salt Lake City and Seattle. It wasn't until 2004 that Thomas began composing. After attending an intimate holiday benefit concert, she was so inspired by the artists' compositions that she went home and tried herself. Thomas began performing her compositions for friends and family, who were so taken by her work that they continually encouraged Thomas to record her songs so they could share them with others. With a keyboard she hooked up to her computer, Thomas began recording her songs, and according to her, the first editions were lousy. I decided that I wanted to really do it right," said Thomas. By the end of 2005, Thomas decided she would professionally record her own album. Southworth just so happened to be in the midst of recording her first album at that time, and so her daughter sat in on some of the recording sessions as a learning experience. Soon after, Thomas located a studio in Bellevue and created a full-length album consisting of composed songs she played herself. Among other guest artists is her mother, who plays violin on one track. Since the completion of the album in December, Thomas has received numerous requests from local film makers to use her music, or for her to write their scores. Thomas and Southworth have talked about possibly working together on a future CD, but for now both musicians are content with exploring their individual talents. Our styles are totally different," said Southworth. "Jenni just loves classical, and I'm more interested in contemporary." Currently, Thomas is thrilled to experience the role of those she has always admired - composers and performers of classical pieces. I'm not interested in being the next pop star," said Thomas. "I'm seriously interested in creating music." For more information about Jennifer Thomas or to purchase her CD, visit www.jenniferthomasmusic.com Staff Reporter Bridget Budbill: 629-2155, ext 125 or budbill@scnews.com

Kathy Parsons Review of Jennifer Thomas New Album by Kathy Parsons - MainlyPiano
Key of Sea Jennifer Thomas 2006 / Tickled Ivory Music 51.4 minutes --- “Key of Sea” is a stunning debut from pianist/composer/violinist Jennifer Thomas. Classically-trained on both instruments from a very early age by her musician-mother as well as other teachers and professors through college, Jennifer’s lifelong immersion in and passion for music is immediately obvious. As a teenager and young adult, Thomas constantly challenged herself to play more difficult and complex classical music, culminating in winning a concerto competition that allowed her to fulfill a dream of playing the piano with a full symphony. She also continued to play the violin in local symphonies, but the piano is her first love. “Key of Sea” is made up of thirteen original works, some of which were inspired by classical pieces, and the music is a combination of solo piano tracks, piano and orchestra, piano ensemble, and one vocal selection. Although it is very soothing, Thomas’ music packs a very powerful punch both musically and emotionally. Personally, I found it wonderful to wake up to rather than go to sleep with. Thomas’ technique is flawless and jaw-dropping in its precision and agility. From one pianist to another, wow! ----- “Key of Sea” opens with “Beautiful Storm,” an orchestrated piece that features Thomas on piano and violin (how’d she play them both at the same time?); she also performs the orchestrations, which are very natural-sounding. Anyone who has watched a storm come in by the ocean can appreciate how this piece goes from still and shimmering to turbulent and agitated. This is a great opening piece because it demonstrates the qualities that make this a standout album - passionate piano, quiet moments, big cinematic areas, grace, beauty, and an original vision. “Prelude in F” is an energetic piano solo that dances all over the piano celebrating the good things in life. “Release” begins as a flowing piano solo. Light percussion comes in, and then strings, building the intensity. “You By My Side” is a gentle piece of musical contentment. Warmth and love are expressed in every note, and strings enhance the tender beauty of the piano. “Suite Dreams” is based on Bach’s Cello Suite #1 in G Major and Bach’s “Ave Maria,” and features Carolyn Southworth (Jennifer’s mom!) on violin - a gorgeous collaboration! “Old Movie Romance” was Thomas’ first composition. (It is interesting to note that she didn’t start composing until the end of 2004!) Piano and strings once again create and loving and passionate ensemble. “Pure” is a “song for the angels in our lives.” Ethereal voices add innocence and charm to the lovely piano melody. “Red Aspens” is a graceful piano solo that exudes peace and serenity. “Somewhere” is a wonderful piece based on Leonard Bernstein’s song from “West Side Story.” Piano and strings give voice to the passion of the original. I really like “The Tempest,” a powerful composition for orchestra and two pianos. Like the opening track, it alternates from calm to very turbulent and agitated, but is quite different from “Beautiful Storm.” “Sospiro” is the piece Thomas likes to end her performances with. Based on a Lizst etude, this piece clearly demonstrates what a phenomenal pianist she is. Again, wow! --------- “Key of Sea” is an awesome debut, and presents a very exciting beginning! It is available at www.jenniferthomasmusic.com, amazon.com, cdbaby.com, and iTunes. Very highly recommended! Kathy Parsons

Bothell pianist to perform at Release Concert by Sharon Whooten - Everett Hrld
Little girls have been known to rummage through their mothers' closets, slip their small feet into too-large high heels, and parade around "just like mom." In Jennifer Thomas' childhood, "just like mom" meant playing the piano and taking piano and violin lessons from her mother. She liked to play things loud and fast. I'd say, 'Jenni, slow down, slow down!'†" said Carolyn Southworth. She ended up fighting me for time at the piano. Who can complain about that as a teacher or parent?" said Southworth, whose family lived in Stanwood for years before moving to Camano Island. When Thomas was 12, she saw "Anchors Aweigh," the Gene Kelly and Frank Sinatra classic, and was fascinated by the scene of 20 pianists simultaneously playing Liszt's "Hungarian Rhapsody No. 2" on 20 grand pianos. I pleaded with my mom to buy me the music." It was so hard that it took Thomas four years to learn it through sheer perseverance. Thomas, now 29 and a Bothell resident, performs Saturday in Bellevue at a CD launch concert for "Key of Sea." While the daughter will be in the spotlight, her mother will play a piece from her own recently released CD ("At the End of the Day") and play violin on one of her daughter's songs. Thomas describes her music as new-age classical. It's something I can write that comes from my heart. It has more emotion and touches people's feelings more than rock 'n' roll, and it's easier to listen to," Thomas said. Mom is definitely into more contemporary music. She loves jazz. I'm more classical-orientated. I'm from a little younger generation, so I put in more technobeats, downtempo beats in my music," said Thomas, who majored in classical piano studies in college. Southworth said of her own style: "So many people tell me that when they're stressed, they turn it on and the stresses go away. But it's very upbeat music. Some people define new-age music as boring and bland, but that's not how I write. The funny part is that people look at my age (54) and think I'm into classical and my daughter is into more contemporary music, yet it's visa versa. I call one of my songs ("Where Eagles Soar") new-age rock," Southworth said. For Thomas, the hardest aspect of composing deals with inspiration, "when you haven't composed anything for awhile and try to get inspiration and it's not coming. I tried to write when I knew I wasn't inspired and it never came out sounding (right). It's easiest when it comes so fast you almost can't write it down fast enough." Thomas is happy that her mother had the opportunity to cut her own CD. She's been composing ever since I was really young and it's something she always wanted to do. It's always been a dream. She just needed a little encouragement," Thomas said. About 1 years ago, Thomas started putting her music on the Internet for people to download. She encouraged her mother to do the same. Within six to eight months, she had 14,000 downloads. That's what helped her go ahead, all those people who loved her music," Thomas said. "She began to think, 'Maybe I can really do it.'†" Rather then rent a Steinway for recording in the studio, Southworth had her 7-foot Baldwin concert piano moved to the studio. We could have recorded it at our house but we have Whidbey jets flying overhead," Southworth said. Mother and daughter have talked about creating a CD together, playing to their strengths even though their styles differ. I'm good at writing melody; Jenni is good at orchestrating things." Neither skill requires high heels. Carolyn Southworth and Jennifer Thomas are mother-daughter musicians, each with recent CD releases.

Bothell musician tunes into the 'Key of Sea' by Joshua Hicks - Bothell Report
by Joshua Adams Hicks If there's a gene that makes people musically inclined, then Jennifer Thomas and her mother, Carolyn Southworth, are living proof that it exists Both were taught to play piano and violin by family members from the age of 5. Both performed with orchestras while attending Brigham Young University. Both released debut albums late last year. Southworth, 54, began studying violin and piano at the age of 5 with her grandfather, who was a bandleader in Oregon. By high school, she had formed a bluegrass band and was teaching lessons of her own. College was spent much the same way, as she continued to teach lessons while playing in the BU Philharmonic Orchestra and another bluegrass band. Thomas, 29, who currently resides in Bothell, recalls being interested in music early on. She says one of her first memories is hammering away on a toy piano in onesie pajamas at the age of 3. She would join her three brothers in violin lessons two years later. They all played fairly well, but Jenny just took off like a rocket," Southworth said. "The more challenging it was, the more fun she seemed to have". Thomas was particularly interested in learning classical pieces, and the influence shows in her album, "Key of Sea," which fuses classical,new-age and down-tempo music in a manner similar to the work of film composer Hans Zimmer. They all played fairly well, but Jenny just took off like a rocket," Southworth said. "The more challenging it was, the more fun she seemed to have". Thomas was particularly interested in learning classical pieces, and the influence shows in her album, "Key of Sea," which fuses classical,new-age and down-tempo music in a manner similar to the work of film composer Hans Zimmer. I like to take classical songs and make them new and fresh, so people who like all types of music can appreciate it," Thomas said. Thomas spent years performing and teaching lessons after college, but didn't write her own music until 2004, after attending a concert by the duo Tingstad and Rumbel It was so simple and so beautiful," she said. "I came away feeling inspired." Thomas created two compositions within days of the concert, and more would follow. Repeated requests by friends and family to record the songs prompted her to make an album People kept asking me to record the music so they could listen to it in their cars," she said. Thomas recorded "Key of Sea" in Seattle at Tickled Ivory Studios and ZD Productions. Two of the album's tracks — "A Beautiful Storm" and "Red Aspens" — were among the top five most requested songs on KZION Radio at the time of the Reporter deadline. Thomas will perform songs from her album during a CD launch party on April 14 at the Bellevue Sherman Clay Piano Recital Hall. Thomas is handling sales and promotions for the album on her own until she finds a distributor. She claims the bulk of her Christmas break was spent boxing and mailing CDs. Key of Sea" is available online at CDBaby.com and JenniferThomas.com, as well as at Haley's Cottage in Mill Creek. Southworth's album, "End of the Day," features new-age music with tones of modern jazz. It was created with the help of an accomplished group of musicians, whom Southworth came into contact with through pure gumption. Southworth cold-called one of her favorite musicians, David Lanz, to propose..nthe idea of making an album. Lanz reviewed her demos and recommended that she..ncontact Grammy Award nominee Paul Speer, who was in the process of moving from Issaquah to Nashville, Tenn, when Southworth made her pitch. When you decide to do something, you just have to go for it, and you have to surround yourself with good people," Southworth said. Speer postponed his move and agreed to produce the album after listening to Southworth's demos online and then meeting with her in person. He assembled a group of respected musicians to work on the project, including Nancy Rumbel, who won a Grammy for Best New Age Album of 2003 and played oboe and English horn for Southworth. Speer, himself, plays guitar on several tracks. What really piqued my interest were her composing skills," Speer stated in an e-mail to the Reporter. "There were strong musical themes and the song structures were well-crafted. Once we started pre-production, she had so many good songs to choose from, it was difficult to select the cuts that ended up on the album. As a record producer, that is a very good problem to have." End of the Day" was the last recording made in Speer's Bellevue studio. It has received airtime in 20 countries since its release and is available online at CDBaby.com and CarolynSouthworth.com.

Oh Sweet Tranquility by RJ Lannan's Review of The Lullaby Album, The Zone
They say it takes a village to raise a child. On The Lullaby Album, it took a plethora of talents that resulted in a moving experience for the child in all of us. The recording is a concerted effort between mother Carolyn Southworth and daughter Jennifer Thomas. Both are noted artist with previous works. The album has the unique feature of being a double album. One disc has thirteen exquisite tunes with solo piano and the other disc features the tunes with full orchestration. It can suit any mood or situation. The album also features several noted musicians including Jace Vec and Jillian Goldin and includes legendary New Age guitarist Paul Speer as producer. There are over one hundred minutes of soothing New Age and World sounds on the album. Every note is a loving contribution to peace and serenity. Every song is a musical blessing.

Jennifer's rendition of Baby of Mine is a noteworthy tune as it captures a bit of classical elements, but glistens with the starry presence of contemporary themes. Rolling soft and deeply memorable, this song is a gift or perhaps a hushed prayer of thanks.

All the Pretty Little Horses is a traditional African-American lullaby and is sometimes called Hush-a-Bye. It has been recorded numerous times by such greats as Peter, Paul & Mary, Judy Collins and Shawn Colvin. Carolyn's arrangement is poignant and sweet as the well-known song takes you back to your childhood, a loved one or forward to the child in your newfound dreams or the new life in your future.

Dream Weaver became a favorite almost right away. It is lushly orchestrated into a tune that suits a major motion picture or a modern symphony. There is soothing movement in the piece as if we are on an emotional journey and our dreams start to unfold in our hearts and minds.

Sweet Dreams with lead vocal by Jillian Goldin and background by Lori Cunningham is absolutely seraphic. This is the accompaniment to the instrumental Sweet Dreams. Both tunes are gently dulcet with the wishes of a peaceful sleep for the angels. The drifting melody and sweet voice is the background sound for anyone’s daydream or nighttime slumber.

Dancing in the Clouds with its sumptuous string arrangement and impressive melody is another remarkable tune. Just for a moment, the intro reminded me of Castle on a Cloud from the Les Misérable soundtrack. It had that airy feel with a touch of innocence that deeply etches the song on your heart and mind.

I believe it to be a stroke of genius to make the album a combination of solo piano and orchestrated tunes. Each rendition has its own magic and its own story. The between mother and daughter is obvious and it flows in and around every note. Whether you want music to fill your days with peace or your nights dreams, then I recommend this album.

Jennifer Thomas by Interview with Jennifer Thomas on LineScratchers
If you like classical music that kicks, you’re in for a treat. Violinist, pianist, classical composer, performer, and mother, Jennifer Thomas brings quite a bit to the table, and yet she manages to seamlessly transition from modern to traditional, from dramatic to gentle, from tempest to forest and in between. Listeners will at once connect with her melodies and themes. Her compositions are complex enough to resonate with fellow musicians, but Jennifer is also quite adept at emotional connection with the lay listener. Jennifer has quite a bit to say about her musical process, and has taken the time to answer some questions for us. She talks about promoting her music, how composition requires hard work, and how she feels God helps her as she composes her music. You seem to be gifted in several areas, including writing orchestral music, performance, writing for soundtracks, and playing piano and violin. Many of our readers might be wondering what you feel your primary talent is? A: While I do play both piano and violin, the piano is definitely what I consider my solo instrument. I just feel really comfortable and confident there – from both a performing and composing point of view. In fact, most of my music is written with the piano as the forefront instrument. I have always been an ensemble player on the violin, and I’m actually very grateful because it’s given me a lot of experience being in the middle of a symphony orchestra. It really helps me now as I orchestrate music to hear where things need to go – balance wise. You don’t always find a piano in an orchestra unless a specific piece of music calls for one. I always got very excited when, as an orchestra member, we would accompany a soloist on a piano concerto. The combination of sound was incredible when a piano played with the symphony – it stood out, yet blended in a way other instruments could not. I think that is why I love to combine the two sounds so much within my own compositions. Tell us about your latest project, The Lullaby Album. On this album, you worked with your mother, Carolyn Southworth. Is she also a musician? A: Yes, my mom is definitely a musician and she is actually the person I owe so much to regarding my music (and a lot of other things in life, obviously). She started teaching me the violin and piano when I was 5 years old and taught me all the way up until I was a teenager before I finally switched to a different teacher. The Lullaby Album was an idea that came about shortly after I had my first baby in 2008. My son was not a very good sleeper, and I found myself making up songs on the piano to lull him to sleep on many occasions. They were very simple melodies; absolutely anyone who could play the piano could...

Mother Daughter Team Create Lullaby Album by Article in Eastern Oregonian
By KATHY ANEY The East Oregonian When Jennifer Thomas’ newborn son refused to fall asleep at night, she got an inspiration. Thomas, a pianist and composer, set little Preston in a baby swing and started playing sweet lullabies on her piano. The baby melted into slumber as quickly as if Mr. Sandman himself had made a house call. The result of Thomas’ revelation is “The Lullaby Album,” created by Thomas and her mother, Carolyn Southworth, and personally tested by Preston. The music is relaxing enough to soothe not only infants, but stressed and frazzled adults. Southworth, who grew up in Pendleton and now lives in Camano Island, Wash., said her daughter was at her wit’s end with Preston. “The little stinker would not go to sleep,” she said, laughing. “He was traumatized.” Once Preston started getting his sleep, Thomas mulled over the idea of creating a collection of traditional and original lullabies to help other parents lull their babies into dreamland. She asked her mom to compose some of the songs and play on the two-CD album with her. “I didn’t have to think about it for more than two seconds,” Southworth said. The women, both talented pianists, violinists and composers, released solo albums prior to “The Lullaby Album.” Southworth debuted with “The End of Day,” while Thomas released an album called “Key of Sea.” Southworth, who started playing violin and piano at the age of five, is an alumnus of the Pendleton School District’s strings program. “I was one of the original kids under Shirlene McMichael,” Southworth said. McMichael taught in the ’60s when Pendleton served as Suzuki’s first American pilot program for a method of teaching stringed instruments that involves immersion and memorizing by rote. Though the method was wildly popular in Japan, it didn’t reach the United States until school board member Betty Feves talked the board into giving it a try. Southworth, daughter of Dr. Derrell and Thelma Lindsay, also took private violin and piano lessons. “I will always be grateful to the many wonderful teachers that I had in Pendleton, such as Shirlene McMichael, Rob and Barbara Roy, Betty Feves, Mabel Gerards and Betty White,” said Southworth. “Those people made a huge impact on my life,” She discovered music theory in Roy’s classroom. The lessons took so well that, later, at Brigham Young University, she “sat there twiddling my thumbs for two years” in the school’s required music theory classes. While Southworth taught all four of her children to play piano, the lessons caught fire only in Jennifer, who seemed to spend every spare moment practicing. “She practiced all hours,” Southworth said. “I actually had to say, ‘Jenny, stop practicing.’” Her drive paid off. She’s won numerous competitions and Thomas’ music caught the ear of independent filmmakers and has been heard on NBC’s Universal Sports network...

Lullaby Album is All in the Family by Article on Deseret NEWS - Salt Lake City
Nearly three years ago, I met a woman named Carolyn Southworth. She and her husband, Ron, came to town for The Church of Jesus Christ of Latter-day Saints general conference. They gave me a CD of Carolyn's piano music, "At the End of the Day." At first I expected a church-oriented CD, but instead, after talking with them, I realized that the music was what I like to call contemporary instrumental. Other contemporary instrumentalists I listen to include Suzanne Ciani, David Lanz and the guitar and woodwind duo Tingstad & Rumbel. To my surprise, Southworth knows Nancy Rumbel and had her play on the album, which is one of my favorites to this day. Well, Southworth has released a new album titled "The Lullaby Album." This two-CD release, by Southworth and her daughter Jennifer Thomas, reminds me of David Lanz's "Skyline Firedance" because one disc is solo piano versions of songs and the other disc features the same piano songs with an orchestral arrangement. And to tell you all the truth, "The Lullaby Album," which features traditional, pop and original melodies, is quite good. Southworth said the album came about after Thomas, also a recording artist who released her debut CD "Key of Sea" in 2007, had her first child. The baby had difficulty falling asleep. So Thomas would play the piano to calm her young boy down. The sessions gave Thomas the idea to do an album of lullabies, and she asked her mother to make the project a joint venture. The result is a nice mother-daughter collaboration, which is available at www.amazon.com, www.cdbaby.com, www.jenniferthomasmusic.com and www.carolynsouthworth.com Southworth's heartfelt arrangements on tracks such as "Sweet Dreams," "All the Pretty Little Horses," "Dream Weaver" and "All Through the Night" intertwine flawlessly with Thomas' tracks that include "Brahms' Lullaby," her own "Dancing on the Clouds," "Twinkle Twinkle Little Star" and Billy Joel's "Goodnight, My Angel." Award-winning vocalists Jillian Goldin and Lori Cunningham add their touches to some of the tracks, and the orchestration on the songs "Dream Weaver," "Twinkle Twinkle...," "Old Scottish Lullaby" and "Unseen Angel," by Emmy Award-winning pianist Jace Vek, is flawless. Grammy Award-winner Paul Speer, who, in addition to his solo works, has recorded albums with Lanz, engineered and mixed "The Lullaby Album." Two songs caught my attention. The first was the LDS Church Primary song "I Am a Child of God," which, I must say, is my mother's favorite Primary song. Southworth's arrangement will probably make my mom cry. The second is "Unseen Angel." Southworth said the song was inspired by an incident in which her friend was rushed to the hospital suffering from multiple organ failure. Through faith and the efforts of paramedics and doctors, her friend, to the doctors' amazement, made a miraculous full recovery. The Lullaby Album" is definitely a keeper for me.

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