The Damn Choir's use of guitar, cello, keyboards, vocals and drums, along with Gordon Robertson's introspective lyrics, create songs that range from meandering and melancholic to pulsing and vengeful.
The Damn Choir began in January of 2009 on a freezing and fated night in Chicago. Gordon Robertson sat slumped at the bar, drowning his post-horrific-break-up dejected self in whiskey and happened to meet cellist Katy Myers. Although at first Myers rejected Robertson's musical advances, eventu...
The Damn Choir's use of guitar, cello, keyboards, vocals and drums, along with Gordon Robertson's introspective lyrics, create songs that range from meandering and melancholic to pulsing and vengeful.
The Damn Choir began in January of 2009 on a freezing and fated night in Chicago. Gordon Robertson sat slumped at the bar, drowning his post-horrific-break-up dejected self in whiskey and happened to meet cellist Katy Myers. Although at first Myers rejected Robertson's musical advances, eventually she gave in and agreed to give him a chance.
Within weeks the two were musically inseparable and involved in an (arguably unhealthy) co-dependant friendship. After playing for months under the name, “Gordon and Katy,” the two recorded an album, re-named the band, and began the journey that would lead them to eventually recruiting Sherri Stouffer on keyboards and vocals, harmonizing along with the vocals of Mel Senftle. The four-piece creates a sound that rises and falls in harmony with the spirit of Robertson’s angst-filled lyrics.
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