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| Hometown | Columbus, OH |
| Genres | Pop, Rock |
| Band Members | Alicia Grodecki, Brittany Hill, Elyse Driskill |
| Achievements |
|
| Upcoming Shows | None |
| Contact Information: |
Booking
Joy Collingbourne (MOB Agency) yorkshirejoy@gmail.com 000-0000
Label
Josh Binder josh@vigilantemusic.com 000
Label
Evan Peters ep@adamantrecords.com 000 |
Vanity Theft is an all girl indie/alternative rock group from Springboro, Ohio whose music has a demand for attention that is hard to ignore. Forming in 2005, the band consists of Alicia Grodecki on keys/effects (harmonica, bells, tambourine, you name...
Vanity Theft is an all girl indie/alternative rock group from Springboro, Ohio whose music has a demand for attention that is hard to ignore. Forming in 2005, the band consists of Alicia Grodecki on keys/effects (harmonica, bells, tambourine, you name it) and vocals, Brittany Hill on guitar and vocals and Elyse Driskill on drums.
Vanity Theft first made a name for themselves in 2006 with the release of their EP “Symptoms” which was described as: “a five-song EP that is artistic, engaging and captures a wisdom that reaches beyond a typical debut. It is professional and smart, with concrete, fully developed lyrics.” – Citybeat (C.A. MacConnell)
Now they’re taking the Midwest by storm with the release of their first full-length album “PostScript: Pace Yourself,” named the number 1 debut local album of 2008 by Dayton Daily News. This 10 song release is full of catchy, upbeat tunes that will keep you tapping your feet and rocking out all the way through. This breath of fresh air will only grow as Vanity Theft continues to tour, playing with and for anyone who wants to have fun and hear something new.
Vanity Theft first made a name for themselves in 2006 with the release of their EP “Symptoms” which was described as: “a five-song EP that is artistic, engaging and captures a wisdom that reaches beyond a typical debut. It is professional and smart, with concrete, fully developed lyrics.” – Citybeat (C.A. MacConnell)
Now they’re taking the Midwest by storm with the release of their first full-length album “PostScript: Pace Yourself,” named the number 1 debut local album of 2008 by Dayton Daily News. This 10 song release is full of catchy, upbeat tunes that will keep you tapping your feet and rocking out all the way through. This breath of fresh air will only grow as Vanity Theft continues to tour, playing with and for anyone who wants to have fun and hear something new.
Indie Pop Winner, August 2011
Top 10 in Rock Videos, May 2011
Top 10 in Alternative, March 2011
Indie Pop Winner, August 2011
Top 10 in Rock Videos, May 2011
Top 10 in Alternative, March 2011
Top 40 in Rock Videos, October 2011
Meet the Band: Vanity Theft by Metromix Cincinnati
If there is one thing that Cincinnati’s local music scene sometimes lacks, it’s female-fronted bands. Even more so lacking is what Vanity Theft offers – an all-female alt-rock band. Formed in 2005,...
If there is one thing that Cincinnati’s local music scene sometimes lacks, it’s female-fronted bands. Even more so lacking is what Vanity Theft offers – an all-female alt-rock band. Formed in 2005,...
Dayton's Damsels: by Examiner
Coming from Dayton, Ohio, a city that most people wouldn't recognize on a map unless they were familiar southwestern Ohio; many either forget or don't know that this city does have quite an...
Coming from Dayton, Ohio, a city that most people wouldn't recognize on a map unless they were familiar southwestern Ohio; many either forget or don't know that this city does have quite an...
Meet the Band: Vanity Theft by Metromix Cincinnati
If there is one thing that Cincinnati’s local music scene sometimes lacks, it’s female-fronted bands. Even more so lacking is what Vanity Theft offers – an all-female alt-rock band. Formed in 2005, the band got together after a high school community event where Brittany Hill (guitar/vox) met Alicia Grodecki (keyboard/effects/vox). The two hit it off immediately and invited friends Elyse Driskill (drums) and Staci Farfsing (bass) to begin playing with them. They originally played cover songs, but when Farfsing left the band, Lindsey Keene filled the new spot and the girls began focusing on original material. A few months later, in 2006, they played their first show, and the rest is history. We spoke with Hill to see why being an all-girl band isn’t such a big deal, and why giraffes are awesome. Why ‘Vanity Theft’? Vanity Theft became our name shortly after Lindsey came along. We called ourselves Vanity Pledge before that. Vanity Theft ended up being a combination of two different ideas. To us, it's just speaking of going through things that humble you. Getting knocked down, but getting back up. Doesn't hurt that it sounds cool. [laughter] Do you tour outside of the Cincinnati area? If so, where has been your favorite place to visit? We mainly hit Dayton, Columbus and Cincinnati for regular shows. We have toured farther though. We'd have to say we like playing in Tennessee most, so far. We've had really good times in Nashville and Chattanooga. Probably the most memorable times we have on the road are replacing the words to our favorite songs with inappropriate words/profanities. What would you say is a common theme in your music? If we had to go with a single theme for our music in general, I think it would be to have fun and not take ourselves too seriously. Focus on what's important, and I guess some songs touch on the irony of getting our priorities completely wrong. That definitely doesn't mean our lyrics express a carefree or party party kind of mood, because our songs are definitely emotional at times, but if it's not something we want to tap our feet or dance around to, we probably wouldn't write it. You probably hear all kinds of typical questions about being an all-girl band, but what are the positives and/or negatives of that fact? We're actually pretty oblivious to that stigma until we hear the words, "Wow, I am really impressed with you girls. I thought you would suck, but you were awesome." We get that all the time. And sometimes I stop and think, "Oh yeah, we are an all girl band. I forgot." I mean to say, we just think of ourselves as any other regular band. The bad thing about being all girls is that most people assume we won't be any good – either grungy, screamy punk rock, or another version of The Donnas, which isn't us at all. The good thing is that we get to turn skeptics into fans, surprise people, and people remember us because of that. What's your favorite girl band, and why? We don't so much have a favorite band that is all girls, but we have favorite bands that have some, or are fronted by girls. We love Rilo Kiley, The Yeah Yeah Yeahs and The Distillers. Also, Veruca Salt and Sleater Kinney. They are big influences. If each of you were an animal, what would you be, and why? Lindsey: An owl. They are intense. Alicia: A white tiger, yo. Elyse: A hippo. They just get to sit around and eat all day. Brittany: A giraffe. Pretty much for the neck. DON'T MISS: Vanity Theft with Vertigo, Lunapollo, The Love Dealers and Bazooka Go Bang. 8 p.m. Friday, Feb. 13 at Mad Hatter in Covington. $8
If there is one thing that Cincinnati’s local music scene sometimes lacks, it’s female-fronted bands. Even more so lacking is what Vanity Theft offers – an all-female alt-rock band. Formed in 2005, the band got together after a high school community event where Brittany Hill (guitar/vox) met Alicia Grodecki (keyboard/effects/vox). The two hit it off immediately and invited friends Elyse Driskill (drums) and Staci Farfsing (bass) to begin playing with them. They originally played cover songs, but when Farfsing left the band, Lindsey Keene filled the new spot and the girls began focusing on original material. A few months later, in 2006, they played their first show, and the rest is history. We spoke with Hill to see why being an all-girl band isn’t such a big deal, and why giraffes are awesome. Why ‘Vanity Theft’? Vanity Theft became our name shortly after Lindsey came along. We called ourselves Vanity Pledge before that. Vanity Theft ended up being a combination of two different ideas. To us, it's just speaking of going through things that humble you. Getting knocked down, but getting back up. Doesn't hurt that it sounds cool. [laughter] Do you tour outside of the Cincinnati area? If so, where has been your favorite place to visit? We mainly hit Dayton, Columbus and Cincinnati for regular shows. We have toured farther though. We'd have to say we like playing in Tennessee most, so far. We've had really good times in Nashville and Chattanooga. Probably the most memorable times we have on the road are replacing the words to our favorite songs with inappropriate words/profanities. What would you say is a common theme in your music? If we had to go with a single theme for our music in general, I think it would be to have fun and not take ourselves too seriously. Focus on what's important, and I guess some songs touch on the irony of getting our priorities completely wrong. That definitely doesn't mean our lyrics express a carefree or party party kind of mood, because our songs are definitely emotional at times, but if it's not something we want to tap our feet or dance around to, we probably wouldn't write it. You probably hear all kinds of typical questions about being an all-girl band, but what are the positives and/or negatives of that fact? We're actually pretty oblivious to that stigma until we hear the words, "Wow, I am really impressed with you girls. I thought you would suck, but you were awesome." We get that all the time. And sometimes I stop and think, "Oh yeah, we are an all girl band. I forgot." I mean to say, we just think of ourselves as any other regular band. The bad thing about being all girls is that most people assume we won't be any good – either grungy, screamy punk rock, or another version of The Donnas, which isn't us at all. The good thing is that we get to turn skeptics into fans, surprise people, and people remember us because of that. What's your favorite girl band, and why? We don't so much have a favorite band that is all girls, but we have favorite bands that have some, or are fronted by girls. We love Rilo Kiley, The Yeah Yeah Yeahs and The Distillers. Also, Veruca Salt and Sleater Kinney. They are big influences. If each of you were an animal, what would you be, and why? Lindsey: An owl. They are intense. Alicia: A white tiger, yo. Elyse: A hippo. They just get to sit around and eat all day. Brittany: A giraffe. Pretty much for the neck. DON'T MISS: Vanity Theft with Vertigo, Lunapollo, The Love Dealers and Bazooka Go Bang. 8 p.m. Friday, Feb. 13 at Mad Hatter in Covington. $8
Dayton's Damsels: by Examiner
Coming from Dayton, Ohio, a city that most people wouldn't recognize on a map unless they were familiar southwestern Ohio; many either forget or don't know that this city does have quite an important musical history. Oh, and the Wright Brothers built the first airplane here. Among the numerous bands this city has produced are The Ohio Players, Guided By Voices, Swearing At Motorists, Brainiac, The Breeders, and while he didn't actually bring much to the local music scene, Lou Barlow was born here too. In addition to these bands, that are household names in some circles, there are a plethora of equally talented, if not quite as well known, bands that call this city home. One of those bands, is Vanity Theft. The ladies of this band are original, talented, and out on a great live show. They manage this despite the fact most of the band aren't old enough to drink in the bars they play shows in. This is normally not a great sign for a band. Young bands, have a tendency to wear their influences on their sleeves. Often times to the point of inducing thoughts of parody or even of them being a tribute band of some kind. This rarelt speaks to the overall talents, but rather the fact that the songwriters in the band are still trying to find their voice, and the musicians in the band are still learning how to make that voice speak. In the case of Vanity Theft, the band's song and voice is fully realized. The strange thing, is that the bands influences: Radiohead, Okkervil River, and Of Montreal aren't overly noticable in their sound. They sound more like Sleater Kinney ... but only if they were jamming with Devo or an early incarnation of The Metric. Their album, "Post Script: Pace Yourself", features songs that are mature without being cynical, well written without sounding overly processed, and intelligent while still being fun to listen to. The best songs on the album, are "In Retrospect", "Teeth and Bone", and the album's closing track "Edit, Edit, Edit". To only pick two or three songs off of this album, isn't fair though, it is a solid album from front to back. And one that can be listened to literally constantly for a week or so. For a band this young, to have this strong of a sense of melody but also understanding how to write rock songs that don't shy away from experimentation is a rarity. Hell, there are bands that been together for over a decade that are yet to put out an album that is this solid from front to back. You can check them out on their MySpace, and if you like what you hear, hop over to their CDBaby site and pick a copy up. Music this fun and honest doesn't come around very often, regardless of the band's status. The band put together a video for their track "Edit, Edit, Edit" that not only shows off the bands musical prowess, but also that they are good natured people who don't take themselves too seriously. To be perfectly honest, this band is reminiscent of the alternative music scene when it was just starting to blossom into the forefront of the musical mainstream. These ladies are an amazing band and if all is fair, they will be extremely succesful. But, they don't give a damn about what any musical commentator has to say about them. And that, is the beauty of it all.
Coming from Dayton, Ohio, a city that most people wouldn't recognize on a map unless they were familiar southwestern Ohio; many either forget or don't know that this city does have quite an important musical history. Oh, and the Wright Brothers built the first airplane here. Among the numerous bands this city has produced are The Ohio Players, Guided By Voices, Swearing At Motorists, Brainiac, The Breeders, and while he didn't actually bring much to the local music scene, Lou Barlow was born here too. In addition to these bands, that are household names in some circles, there are a plethora of equally talented, if not quite as well known, bands that call this city home. One of those bands, is Vanity Theft. The ladies of this band are original, talented, and out on a great live show. They manage this despite the fact most of the band aren't old enough to drink in the bars they play shows in. This is normally not a great sign for a band. Young bands, have a tendency to wear their influences on their sleeves. Often times to the point of inducing thoughts of parody or even of them being a tribute band of some kind. This rarelt speaks to the overall talents, but rather the fact that the songwriters in the band are still trying to find their voice, and the musicians in the band are still learning how to make that voice speak. In the case of Vanity Theft, the band's song and voice is fully realized. The strange thing, is that the bands influences: Radiohead, Okkervil River, and Of Montreal aren't overly noticable in their sound. They sound more like Sleater Kinney ... but only if they were jamming with Devo or an early incarnation of The Metric. Their album, "Post Script: Pace Yourself", features songs that are mature without being cynical, well written without sounding overly processed, and intelligent while still being fun to listen to. The best songs on the album, are "In Retrospect", "Teeth and Bone", and the album's closing track "Edit, Edit, Edit". To only pick two or three songs off of this album, isn't fair though, it is a solid album from front to back. And one that can be listened to literally constantly for a week or so. For a band this young, to have this strong of a sense of melody but also understanding how to write rock songs that don't shy away from experimentation is a rarity. Hell, there are bands that been together for over a decade that are yet to put out an album that is this solid from front to back. You can check them out on their MySpace, and if you like what you hear, hop over to their CDBaby site and pick a copy up. Music this fun and honest doesn't come around very often, regardless of the band's status. The band put together a video for their track "Edit, Edit, Edit" that not only shows off the bands musical prowess, but also that they are good natured people who don't take themselves too seriously. To be perfectly honest, this band is reminiscent of the alternative music scene when it was just starting to blossom into the forefront of the musical mainstream. These ladies are an amazing band and if all is fair, they will be extremely succesful. But, they don't give a damn about what any musical commentator has to say about them. And that, is the beauty of it all.
Thursday Pick: Vanity Theft by Citybeat
In its bio, this Dayton-area foursome says the members are “just trying to break the stereotypes of lame girl bands and play something that doesn’t sound like everything else out there.” Mission accomplished. Vanity Theft makes Indie Pop music that's fun, danceable and brazen. Alicia Grodecki and Brittany Hill are the band’s co-lead singers, usually singing together and concocting some mesmerizing, creative harmonies. They have that kind of harmony-mind-meld that usually only comes from siblings. The group’s first full-length album, PostScript: Pace Yourself, was voted the No. 1 debut album released by a Dayton band in 2008 by The Dayton Daily News. Listening to it, it appears the newspaper have missed the mark — it’s one of the best debut albums by almost any new band in the past five years.
In its bio, this Dayton-area foursome says the members are “just trying to break the stereotypes of lame girl bands and play something that doesn’t sound like everything else out there.” Mission accomplished. Vanity Theft makes Indie Pop music that's fun, danceable and brazen. Alicia Grodecki and Brittany Hill are the band’s co-lead singers, usually singing together and concocting some mesmerizing, creative harmonies. They have that kind of harmony-mind-meld that usually only comes from siblings. The group’s first full-length album, PostScript: Pace Yourself, was voted the No. 1 debut album released by a Dayton band in 2008 by The Dayton Daily News. Listening to it, it appears the newspaper have missed the mark — it’s one of the best debut albums by almost any new band in the past five years.
Stealing the Show: Vanity Theft at Warped Tour by Examiner
The Van's Warped Tour has always been a grab bag for anyone who goes. Normally, you have two or three bands you want to see and the rest you're able to tolerate ... but ultimately could care less about. Then there are the years where you happen upon a band you'd never heard before and instantly become a fan. The best place to discover new music, at Warped Tour anyways, is the Kevin Says Stage. This year, Dayton band Vanity Theft performed on the Kevin Says Stage just as the doors for the show opened. Being the first band to go is always a challenge, being the first band people are going to hear upon coming through the door can crank the nerves of young bands to a tipping point. However, Vanity Theft handled both of these situations with a style typically associated with a band that has been making music for more than a decade. Not letting the pressure get to them, the ladies of Vanity Theft were able to put together a great set of music. They also must have a sound that people from various musical backgrounds can get into, because there were people with t-shirts glorifying the latest trends in emo and pop-punk, people with mohawks and old school punk t-shirts, and parents accompanying their young children all stopping to catch a glimpse of this band they were hearing. Gathering a diverse crowd at this show is always a challenge, as most people already know who they want to see. However, being an Indie Dance Pop band made entirely of girls on a tour that is generally dominated by males playing some variation of loud distorted music makes them just enough of an annomally that people will pay attention to them. The band used this to their advantage, playing to the crowd and engaging in a bit more stage banter than I'd heard from them previously. Which is what seperates them from so many of their peers, both in Dayton and at Warped Tour, these girls appear fearless to all but their closest fans. They exhibit a level of show-womanship that most bands don't pull off when they are playing to a crowd that is several times bigger than anyone they've ever seen before. The band played almost half of their latest album Postscript: Pace Yourself, an album which they've mastered to the point of making old songs sound new again by adding flair to them they couldn't before. This is the kind of comfort, that can leave some bands treading water at live shows ... being able to overcome that though is a testament to band chemistry and musical ability. Those two things are what is going to seperate Vanity Theft from a lot the bands they share a stage with.
The Van's Warped Tour has always been a grab bag for anyone who goes. Normally, you have two or three bands you want to see and the rest you're able to tolerate ... but ultimately could care less about. Then there are the years where you happen upon a band you'd never heard before and instantly become a fan. The best place to discover new music, at Warped Tour anyways, is the Kevin Says Stage. This year, Dayton band Vanity Theft performed on the Kevin Says Stage just as the doors for the show opened. Being the first band to go is always a challenge, being the first band people are going to hear upon coming through the door can crank the nerves of young bands to a tipping point. However, Vanity Theft handled both of these situations with a style typically associated with a band that has been making music for more than a decade. Not letting the pressure get to them, the ladies of Vanity Theft were able to put together a great set of music. They also must have a sound that people from various musical backgrounds can get into, because there were people with t-shirts glorifying the latest trends in emo and pop-punk, people with mohawks and old school punk t-shirts, and parents accompanying their young children all stopping to catch a glimpse of this band they were hearing. Gathering a diverse crowd at this show is always a challenge, as most people already know who they want to see. However, being an Indie Dance Pop band made entirely of girls on a tour that is generally dominated by males playing some variation of loud distorted music makes them just enough of an annomally that people will pay attention to them. The band used this to their advantage, playing to the crowd and engaging in a bit more stage banter than I'd heard from them previously. Which is what seperates them from so many of their peers, both in Dayton and at Warped Tour, these girls appear fearless to all but their closest fans. They exhibit a level of show-womanship that most bands don't pull off when they are playing to a crowd that is several times bigger than anyone they've ever seen before. The band played almost half of their latest album Postscript: Pace Yourself, an album which they've mastered to the point of making old songs sound new again by adding flair to them they couldn't before. This is the kind of comfort, that can leave some bands treading water at live shows ... being able to overcome that though is a testament to band chemistry and musical ability. Those two things are what is going to seperate Vanity Theft from a lot the bands they share a stage with.
Vanity Theft Q&A: by ActiveDayton
Vanity Theft Style of music: Indie rock Location: Springboro, Ohio Members and instruments played: Alicia Grodecki (vocals, keys, guitar, effects), Brittany Hill (vocals, guitar), Lindsey Keene (bass guitar) and Elyse Driskill (drums) Formed: 2005 Random fact: After Dayton shows we crash at Alicia's and fall asleep to a Disney movie Web site: www.myspace.com/vanitytheft If you could've written any famous song, what would it be and why? Alicia: I'd probably have to say "The Archers Bows are Broken" by Brand New because it's amazing or "Idioteque" by Radiohead because it's so creative. If you could seek musical advice from one music icon, who would it be and what would you ask? Lindsey: Paul McCartney!! I would like to know how in the world he played such complex bass lines and sang in completely different rhythms. Oh, and how he could remember how to play "She's So Heavy" because his part changes completely every minute or so É for seven minutes. What is the most unique characteristic of your band? Brittany: Well the obvious thing to say is that we're all girls, but I really think what makes us stand out is our fun and quirky indie rock sound. Being experimental and breaking the mold is a priority, which might be why you'll see Alicia playing a different instrument almost every song. If nothing else, we just want to see people at our shows tapping their feet and not being able to resist their urge to dance at times. If you could play any venue with any band ever, where would it be and what other act would be on the bill? Everyone: We would love to play The LC Pavilion in Columbus because that's where we go most of the time to see our favorite bands and it's a really cool atmosphere. Our fantasy lineup of bands to play with would be Brand New, Deathcab for Cutie, The Stills and Radiohead. If you were forced to choose, which two famous acts would you say your band's sound most resembles? Elyse: That's a tough one. We really never get compared to the same bands twice, but I'll go with The Sounds and Nightmare of You.
Vanity Theft Style of music: Indie rock Location: Springboro, Ohio Members and instruments played: Alicia Grodecki (vocals, keys, guitar, effects), Brittany Hill (vocals, guitar), Lindsey Keene (bass guitar) and Elyse Driskill (drums) Formed: 2005 Random fact: After Dayton shows we crash at Alicia's and fall asleep to a Disney movie Web site: www.myspace.com/vanitytheft If you could've written any famous song, what would it be and why? Alicia: I'd probably have to say "The Archers Bows are Broken" by Brand New because it's amazing or "Idioteque" by Radiohead because it's so creative. If you could seek musical advice from one music icon, who would it be and what would you ask? Lindsey: Paul McCartney!! I would like to know how in the world he played such complex bass lines and sang in completely different rhythms. Oh, and how he could remember how to play "She's So Heavy" because his part changes completely every minute or so É for seven minutes. What is the most unique characteristic of your band? Brittany: Well the obvious thing to say is that we're all girls, but I really think what makes us stand out is our fun and quirky indie rock sound. Being experimental and breaking the mold is a priority, which might be why you'll see Alicia playing a different instrument almost every song. If nothing else, we just want to see people at our shows tapping their feet and not being able to resist their urge to dance at times. If you could play any venue with any band ever, where would it be and what other act would be on the bill? Everyone: We would love to play The LC Pavilion in Columbus because that's where we go most of the time to see our favorite bands and it's a really cool atmosphere. Our fantasy lineup of bands to play with would be Brand New, Deathcab for Cutie, The Stills and Radiohead. If you were forced to choose, which two famous acts would you say your band's sound most resembles? Elyse: That's a tough one. We really never get compared to the same bands twice, but I'll go with The Sounds and Nightmare of You.
Eye of the Tigress by OurStage
Vanity Theft is part of a pedigreed lineage of female rock bands. The Runaways, The Go-Gos, Sleater-Kinney—you know the sort. Girls who elbow their way through the male-driven rock paradigm and make a place for themselves in the boy’s club. If you like “Anatomy” (and you will like “Anatomy”), be sure to listen to the Houses Haunted Tape Remix. The track transforms the original into a mishmash of digital chirps, chopped-up chants and great stomping beats à la Sleigh Bells. Don’t worry, all the hooks of “Anatomy” are kept intact, clawing their way into your brain while jagged soundscapes add a sinister edge. “Limb From Limb,” with its lashes of electric guitar and synths is just as fierce. With vitriol dripping from each of singer Alicia Grodecki’s words, the band dares you not to dance. We can only say, you go grrrls.
Vanity Theft is part of a pedigreed lineage of female rock bands. The Runaways, The Go-Gos, Sleater-Kinney—you know the sort. Girls who elbow their way through the male-driven rock paradigm and make a place for themselves in the boy’s club. If you like “Anatomy” (and you will like “Anatomy”), be sure to listen to the Houses Haunted Tape Remix. The track transforms the original into a mishmash of digital chirps, chopped-up chants and great stomping beats à la Sleigh Bells. Don’t worry, all the hooks of “Anatomy” are kept intact, clawing their way into your brain while jagged soundscapes add a sinister edge. “Limb From Limb,” with its lashes of electric guitar and synths is just as fierce. With vitriol dripping from each of singer Alicia Grodecki’s words, the band dares you not to dance. We can only say, you go grrrls.
Music Video: Vanity Theft by Nylon
Vanity Theft may be all-female, but this foursome definitely isn’t your average girl group. With catchy guitar riffs, an in-your-face sound, and lyrics that are, ahem, straight to the point, this band is determined to set themselves apart from a sea of frilly pop with their debut single, “Anatomy.” Check out the video here and let us know if you’re into it! p.s. If you’re thinking the bassist looks familiar, she probably is… it’s actress Lalaine. Remember her from Lizzie McGuire?
Vanity Theft may be all-female, but this foursome definitely isn’t your average girl group. With catchy guitar riffs, an in-your-face sound, and lyrics that are, ahem, straight to the point, this band is determined to set themselves apart from a sea of frilly pop with their debut single, “Anatomy.” Check out the video here and let us know if you’re into it! p.s. If you’re thinking the bassist looks familiar, she probably is… it’s actress Lalaine. Remember her from Lizzie McGuire?
Some Sound Advice for 2011 by New York Post
VANITY THEFT: Following in the not-so-dainty footsteps of riot grrrls Sleater-Kinney and rock goddess Joan Jett, Vanity Theft is an all-girl rock quartet that plays harder than most of the boys. Bassist Lalaine -- just Lalaine -- is blunt about her band, saying, "We may have vaginas, but we're not p - - - ies." That's very clear on the group's full-length debut, "Get What You Came For," a solid collection of headbangers. On the lone exception, "Missing Teeth," singer Alicia Grodecki gets all girly on the Auto-Tuned ballad. The record will be released Feb. 1, and these hard-hitting women play the Knitting Factory on Feb. 2.
VANITY THEFT: Following in the not-so-dainty footsteps of riot grrrls Sleater-Kinney and rock goddess Joan Jett, Vanity Theft is an all-girl rock quartet that plays harder than most of the boys. Bassist Lalaine -- just Lalaine -- is blunt about her band, saying, "We may have vaginas, but we're not p - - - ies." That's very clear on the group's full-length debut, "Get What You Came For," a solid collection of headbangers. On the lone exception, "Missing Teeth," singer Alicia Grodecki gets all girly on the Auto-Tuned ballad. The record will be released Feb. 1, and these hard-hitting women play the Knitting Factory on Feb. 2.
Vanity Theft: Reinventing Girl-Rock by Static Multimedia
Edgy, dark, powerful, sensual: these are four excellent descriptors of the girl-rock band, Vanity Theft. In October, Vanity Theft released their Anatomy EP and immediately caught the attention of listeners across the United States. These four girls are not your typical sweet-lyric, love-song types. Instead, Vanity Theft is all about past, broken relationships. And the lyrics reflect the sass, attitude and bitterness developed by these young women. On February 1, 2011, the full length album, Get What You Came For, will be available for digital purchase. The physical album will hit stores March 1 through Vigilante Music/Adamant Records. The excitement generated by Anatomy EP will be fully realized with this album. Vanity Theft produces quality rock on every individual song. Vanity Theft follows in a long-line of all-girl bands bent on the deconstruction of female-band conventions. Get What You Came For takes the typical topic of ‘love’ and turns it on its head. The entire album takes a bitter and empowered look at previous relationships the girls have experienced. This generates an edgy and hard sound that truly rocks. The girls state that the album is highly sarcastic. Such topics include sexual control, exposing flaws of previous lovers and the incurable obsession with bad guys. ‘Anatomy’ is the token song of the album, full of grinding beats, wailing guitars and dark alto vocals. ‘Missing Teeth’ is the only true ballad on the album. It shows a beautiful and ambient side of Vanity Theft that is new and exciting. Each song is an individual masterpiece with an emotive and powerful story. Vanity Theft consists of four strong women. The three core members came together in Dayton, Ohio. The Ohio core includes guitarist Brittany Hill, singer-keyboardist Alicia Grodecki and drummer Elyse Driskill. The fourth member, bassist Lalaine, joined in preparation for Anatomy EP. Lalaine is best known as the child-star from Disney’s Lizzie McGuire. She played Hillary Duff’s best friend in this television show. Lalaine met the group while they were recording out west. Seeing their need for a bassist after the original bassist quit, Lalaine jumped at the opportunity. She flew out to Ohio to display her seriousness and to test band-cohesion. It was an instantaneous match. The band has been working hard since the addition of Lalaine. They are very excited about the release of Get What You Came For. Along with this album release, they will set out on a North American tour in February/March 2011 with Hunter Valentine. If Vanity Theft strike your fancy, be on the look-out for them in your area during these winter months. Their shows are sure to be a rowdy good time!
Edgy, dark, powerful, sensual: these are four excellent descriptors of the girl-rock band, Vanity Theft. In October, Vanity Theft released their Anatomy EP and immediately caught the attention of listeners across the United States. These four girls are not your typical sweet-lyric, love-song types. Instead, Vanity Theft is all about past, broken relationships. And the lyrics reflect the sass, attitude and bitterness developed by these young women. On February 1, 2011, the full length album, Get What You Came For, will be available for digital purchase. The physical album will hit stores March 1 through Vigilante Music/Adamant Records. The excitement generated by Anatomy EP will be fully realized with this album. Vanity Theft produces quality rock on every individual song. Vanity Theft follows in a long-line of all-girl bands bent on the deconstruction of female-band conventions. Get What You Came For takes the typical topic of ‘love’ and turns it on its head. The entire album takes a bitter and empowered look at previous relationships the girls have experienced. This generates an edgy and hard sound that truly rocks. The girls state that the album is highly sarcastic. Such topics include sexual control, exposing flaws of previous lovers and the incurable obsession with bad guys. ‘Anatomy’ is the token song of the album, full of grinding beats, wailing guitars and dark alto vocals. ‘Missing Teeth’ is the only true ballad on the album. It shows a beautiful and ambient side of Vanity Theft that is new and exciting. Each song is an individual masterpiece with an emotive and powerful story. Vanity Theft consists of four strong women. The three core members came together in Dayton, Ohio. The Ohio core includes guitarist Brittany Hill, singer-keyboardist Alicia Grodecki and drummer Elyse Driskill. The fourth member, bassist Lalaine, joined in preparation for Anatomy EP. Lalaine is best known as the child-star from Disney’s Lizzie McGuire. She played Hillary Duff’s best friend in this television show. Lalaine met the group while they were recording out west. Seeing their need for a bassist after the original bassist quit, Lalaine jumped at the opportunity. She flew out to Ohio to display her seriousness and to test band-cohesion. It was an instantaneous match. The band has been working hard since the addition of Lalaine. They are very excited about the release of Get What You Came For. Along with this album release, they will set out on a North American tour in February/March 2011 with Hunter Valentine. If Vanity Theft strike your fancy, be on the look-out for them in your area during these winter months. Their shows are sure to be a rowdy good time!
Download of the Week by Roxy Blog
Available 2/9-2/16: Vanity Theft “Anatomy (Houses Haunted Tapes Remix)” The women of Dayton, Ohio’s Vanity Theft make awesome songs, somewhere between the fist-pumping chick power of Sleater-Kinney and the more-dance-ready, indie-pop fun of the Ting Tings. Their new album, Get What You Came For, comes out this month on Adamant Records. A proper label to call home is a welcome respite from five years of putting out their own records and booking their own tours. Still, even with a label behind them, you can hear this band’s DIY spirit loud and clear in this hot remix of their newest single “Anatomy.” Don’t miss the sweet video for the single, and you can follow the band on twitter to get their latest tour dates.
Available 2/9-2/16: Vanity Theft “Anatomy (Houses Haunted Tapes Remix)” The women of Dayton, Ohio’s Vanity Theft make awesome songs, somewhere between the fist-pumping chick power of Sleater-Kinney and the more-dance-ready, indie-pop fun of the Ting Tings. Their new album, Get What You Came For, comes out this month on Adamant Records. A proper label to call home is a welcome respite from five years of putting out their own records and booking their own tours. Still, even with a label behind them, you can hear this band’s DIY spirit loud and clear in this hot remix of their newest single “Anatomy.” Don’t miss the sweet video for the single, and you can follow the band on twitter to get their latest tour dates.
Hot New Music: Vanity Theft by Curve Magazine
Get ready to swoon for this queer inclusive band and their hot new video: Anatomy.
Get ready to swoon for this queer inclusive band and their hot new video: Anatomy.
Film At 11: Vanity Theft by Magnet Magazine
On February 1, Vanity Theft is digitally issuing debut album Get What You Came For (the physical release is out March 1 via Vigilante/Adamant), then hitting the road for an extensive North American tour with Hunter Valentine. The Dayton, Ohio, band is following up October’s Anatomy EP, whose title track you can download here. Vanity Theft had Lefse Records artist Houses remix the song, which you can download here, and then made a video for said “Haunted Tape Remix,” which you can watch below.
On February 1, Vanity Theft is digitally issuing debut album Get What You Came For (the physical release is out March 1 via Vigilante/Adamant), then hitting the road for an extensive North American tour with Hunter Valentine. The Dayton, Ohio, band is following up October’s Anatomy EP, whose title track you can download here. Vanity Theft had Lefse Records artist Houses remix the song, which you can download here, and then made a video for said “Haunted Tape Remix,” which you can watch below.
THIS JUST IN: INTRODUCING VANITY THEFT by After Ellen
If you haven’t heard the pouty-lipped pop rock coming from Ohio’s Vanity Theft, you’re missing out. The foursome has put together a solid album, Get What You Came For, that is set for release Feb. 1 There’s something for just about everyone’s mood, but a standout track for me has to be “Anatomy," an anthem that confidently discloses, “And besides, baby, I don’t want you for your mind,” which is something I’ve always wanted someone to say to me. Stop wanting me for my mind, people! The ladies have already toured with AfterEllen.com favorites Sick of Sarah and they’re about to embark on a cross-country tour with our other gal pals, Hunter Valentine. We were able to catch Vanity Theft drummer, Elyse Driskill, to get a little backstory and hear about what’s in store for the band this year.
If you haven’t heard the pouty-lipped pop rock coming from Ohio’s Vanity Theft, you’re missing out. The foursome has put together a solid album, Get What You Came For, that is set for release Feb. 1 There’s something for just about everyone’s mood, but a standout track for me has to be “Anatomy," an anthem that confidently discloses, “And besides, baby, I don’t want you for your mind,” which is something I’ve always wanted someone to say to me. Stop wanting me for my mind, people! The ladies have already toured with AfterEllen.com favorites Sick of Sarah and they’re about to embark on a cross-country tour with our other gal pals, Hunter Valentine. We were able to catch Vanity Theft drummer, Elyse Driskill, to get a little backstory and hear about what’s in store for the band this year.
Vanity Theft: Get What You Came For by Ink 19
Why do I love Vanity Theft's popcentric take on grrrl rock? For the same reason I can't resist The Donnas -- because, though they're not making any strides to redefine music, they know how to structure a pop song and back it with a little bit of a dirty punch. Get What You Came For, with its perfectly constructed little three-minute nuggets, is brought to sparkling life by four adorable chicks who are barely of legal drinking age -- one of whom, oddly, is a former Disney Channel star (Lalaine from Lizzie McGuire). Before disregarding the group merely for its Disney association, take "Anatomy," and "Limb From Limb" for a spin. These two songs alone, and perhaps in spite of the rest of the otherwise redundant record, make this little band from Dayton, Ohio worth opening your brainwaves to. It may not be life changing, but it's pop music with a youthfully naive tough girl sneer, and if it worked for The Runaways and Tegan & Sara, then why not for Vanity Theft?
Why do I love Vanity Theft's popcentric take on grrrl rock? For the same reason I can't resist The Donnas -- because, though they're not making any strides to redefine music, they know how to structure a pop song and back it with a little bit of a dirty punch. Get What You Came For, with its perfectly constructed little three-minute nuggets, is brought to sparkling life by four adorable chicks who are barely of legal drinking age -- one of whom, oddly, is a former Disney Channel star (Lalaine from Lizzie McGuire). Before disregarding the group merely for its Disney association, take "Anatomy," and "Limb From Limb" for a spin. These two songs alone, and perhaps in spite of the rest of the otherwise redundant record, make this little band from Dayton, Ohio worth opening your brainwaves to. It may not be life changing, but it's pop music with a youthfully naive tough girl sneer, and if it worked for The Runaways and Tegan & Sara, then why not for Vanity Theft?
Vanity Theft: The Anatomy EP by PopMatters
The Anatomy EP contains four songs and two remixes of synth-heavy, beat-dominated new wave revival. These days, you can’t spit without hitting a band that falls into that category. The wonderful thing is, in these six tracks, Vanity Theft transcend genre trappings and showcase excellent songwriting abilities, while many other bands think style over substance is acceptable, and that stealing the sounds of Orchestral Manoeuvres in the Dark or the Pet Shop Boys make them exempt from thinking about melodies, hooks, or innovation. So, let’s applaud Alicia, Brittany, Elyse, and Lalaine. “Anatomy” recalls the darker synth-pop of Depeche Mode and New Order in a refreshingly modern, not at all plagiaristic fashion, with spot-on vocals and a chorus that kills. Its “Houses Haunted Tape” remix transforms it into something like a Fever Ray/M.I.A. collaboration. “Limb From Limb” is akin to what the Yeah Yeah Yeahs did on It’s Blitz!, without the stigma of being completely overrated. “Missing Teeth” is just heavenly electro-pop, that, although repetitive, is saved by sublime vocal melodies and production. The “Houses Peeling Wallpaper” remix of said song is actually even better; a perfect 10, adding more reverb, shoegaze, Beach Boys-style vocal backups, and a rhythm heavy on bass and handclaps. “Excavation” ends the EP on a surprising emo/indie note, dominated by synths, and not unlike the early work of The Anniversary. With two full-lengths behind Vanity Theft, The Anatomy EP is a gloriously satisfying excursion, that should hold fans over until the next album drops in February 2011. I am so totally there.
The Anatomy EP contains four songs and two remixes of synth-heavy, beat-dominated new wave revival. These days, you can’t spit without hitting a band that falls into that category. The wonderful thing is, in these six tracks, Vanity Theft transcend genre trappings and showcase excellent songwriting abilities, while many other bands think style over substance is acceptable, and that stealing the sounds of Orchestral Manoeuvres in the Dark or the Pet Shop Boys make them exempt from thinking about melodies, hooks, or innovation. So, let’s applaud Alicia, Brittany, Elyse, and Lalaine. “Anatomy” recalls the darker synth-pop of Depeche Mode and New Order in a refreshingly modern, not at all plagiaristic fashion, with spot-on vocals and a chorus that kills. Its “Houses Haunted Tape” remix transforms it into something like a Fever Ray/M.I.A. collaboration. “Limb From Limb” is akin to what the Yeah Yeah Yeahs did on It’s Blitz!, without the stigma of being completely overrated. “Missing Teeth” is just heavenly electro-pop, that, although repetitive, is saved by sublime vocal melodies and production. The “Houses Peeling Wallpaper” remix of said song is actually even better; a perfect 10, adding more reverb, shoegaze, Beach Boys-style vocal backups, and a rhythm heavy on bass and handclaps. “Excavation” ends the EP on a surprising emo/indie note, dominated by synths, and not unlike the early work of The Anniversary. With two full-lengths behind Vanity Theft, The Anatomy EP is a gloriously satisfying excursion, that should hold fans over until the next album drops in February 2011. I am so totally there.
Album Spotlight: Vanity Theft's The Anatomy EP by Autostraddle
Recent CMJ spotlight artists, Vanity Theft, have released their latest alternative/pop rock tracks in The Anatomy EP (Vigilante Music/Adamant Records), a 6-song disc that includes two remixes by Lefse Records’ artist Houses. The four original tracks on The Anatomy EP, are a mash-up of pop, dance, and post-riot-grrl punk. There’s the title track, whose tongue-in-cheek lyrics almost laugh, “And besides maybe I don’t want you for your mind / Can’t decide, ” and synthesizers that playfully nod to the current 80’s obsession. With punchy beats, wailing harmonies, and just the right amount of growling, “Limb from Limb” is sexy, warningly intimidating, and impossible not to air drum to. The restrained, thoughtful harmonies and dense, overlapping melodies in “Excavation” echo the lyrical imagery of the digging search for identity. And despite running slightly long, “Missing Teeth,” a haunting ballad that proves Vanity Theft has a variety of styles up their sleeve, has a melancholy, sinking-beneath the water sound that holds up the beautiful metaphor in the chorus, “And all the ships that sail out to sea / Leave the dock that runs across the shoreline / A mouth with missing teeth.” Electro-ambient artist Houses’ remix dissects and robotically reassembles “Anatomy,” removing lyrical meaning and manipulating percussion with Gaga-esque vocal breaks. The “Missing Teeth” remix, is simply a far-away sounding, ghostly ethereal version of the original. Sadly, the remixes are very stylistically different from Vanity Theft’s recordings, and certainly do not best the originals, making their inclusion unsatisfying. Because The Anatomy EP is true to Vanity Theft’s edgy, powerful live sound, and the lyrics are coy yet undeniably intelligent, it's almost the perfect party soundtrack. You want to drink and dance to this album, either in a miniskirt and leather boots, or with a girl in a miniskirt and leather boots (or at least I do). Cut your teeth on the EP and get ready for the full-length album, Get What You Came For, hitting stores on March 1 and iTunes on Feb 1. And check out their national tour with Hunter Valentine beginning February 2, 2011.
Recent CMJ spotlight artists, Vanity Theft, have released their latest alternative/pop rock tracks in The Anatomy EP (Vigilante Music/Adamant Records), a 6-song disc that includes two remixes by Lefse Records’ artist Houses. The four original tracks on The Anatomy EP, are a mash-up of pop, dance, and post-riot-grrl punk. There’s the title track, whose tongue-in-cheek lyrics almost laugh, “And besides maybe I don’t want you for your mind / Can’t decide, ” and synthesizers that playfully nod to the current 80’s obsession. With punchy beats, wailing harmonies, and just the right amount of growling, “Limb from Limb” is sexy, warningly intimidating, and impossible not to air drum to. The restrained, thoughtful harmonies and dense, overlapping melodies in “Excavation” echo the lyrical imagery of the digging search for identity. And despite running slightly long, “Missing Teeth,” a haunting ballad that proves Vanity Theft has a variety of styles up their sleeve, has a melancholy, sinking-beneath the water sound that holds up the beautiful metaphor in the chorus, “And all the ships that sail out to sea / Leave the dock that runs across the shoreline / A mouth with missing teeth.” Electro-ambient artist Houses’ remix dissects and robotically reassembles “Anatomy,” removing lyrical meaning and manipulating percussion with Gaga-esque vocal breaks. The “Missing Teeth” remix, is simply a far-away sounding, ghostly ethereal version of the original. Sadly, the remixes are very stylistically different from Vanity Theft’s recordings, and certainly do not best the originals, making their inclusion unsatisfying. Because The Anatomy EP is true to Vanity Theft’s edgy, powerful live sound, and the lyrics are coy yet undeniably intelligent, it's almost the perfect party soundtrack. You want to drink and dance to this album, either in a miniskirt and leather boots, or with a girl in a miniskirt and leather boots (or at least I do). Cut your teeth on the EP and get ready for the full-length album, Get What You Came For, hitting stores on March 1 and iTunes on Feb 1. And check out their national tour with Hunter Valentine beginning February 2, 2011.
Vanity Theft: Anything But Girly by Zink Magazine
All-girl indie-rock band Vanity Theft kick off a North American tour in February. Vanity Theft has an edgy, pop sound, channeling The Runaways and other post riot-grrrl indie groups. After releasing their latest EP, Anatomy, in October, Vanity Theft is back for more. Their video for the Houses’ Haunted Tape Remix of “Anatomy” is visually stunning, full of quick cuts that break up a general monochrome feeling with scenes of bright greens, golds and purples, which add a punkish feeling to the video. Their upcoming album Get What You Came For will be released digitally on February 1st with a physical release to follow March 1st. Along with the digital release, the band will hit the road with Hunter Valentine on a cross-country tour in February and March, hitting The Knitting Factory on February 2nd and ending March 5th at 400 Bar in Minneapolis. Don’t miss your chance to rock out with these sassy chicks. VanityTheft.com — Michele Tymann
All-girl indie-rock band Vanity Theft kick off a North American tour in February. Vanity Theft has an edgy, pop sound, channeling The Runaways and other post riot-grrrl indie groups. After releasing their latest EP, Anatomy, in October, Vanity Theft is back for more. Their video for the Houses’ Haunted Tape Remix of “Anatomy” is visually stunning, full of quick cuts that break up a general monochrome feeling with scenes of bright greens, golds and purples, which add a punkish feeling to the video. Their upcoming album Get What You Came For will be released digitally on February 1st with a physical release to follow March 1st. Along with the digital release, the band will hit the road with Hunter Valentine on a cross-country tour in February and March, hitting The Knitting Factory on February 2nd and ending March 5th at 400 Bar in Minneapolis. Don’t miss your chance to rock out with these sassy chicks. VanityTheft.com — Michele Tymann
CMJ Artist Spotlight: Vanity Theft by Autostraddle
I have a song stuck in my head and it starts with a kick drum. It's called Limb from Limb, a punchy track from all-female alt-rock quartet and CMJ Music Marathoners, Vanity Theft. Despite having a band name and song title fitting for a Californian thrash metal band, these girls look and sound like anything but. Vanity Theft are Alicia (vocals/keyboard), Brittany (guitar), Elyse (drums) and Lalaine (bass), four talented young women hailing from Springboro, Ohio. Right now these girls are wowing crowds across the United States on a lengthy tour with with label-mates Sick of Sarah, no doubt fueling anticipation for their October 26 release, The Anatomy EP. Go Magazine's Emily Hall Smith describes Vanity Theft as "electric guitars, lipstick, and attitude. The Anatomy EP showcases the band's talent with both pop-tinged alt-rock and ethereal ballads. Sexy, coy, and confident songs with smart lyrics and melodies that won't leave your head. And two great remixes by Lefse Records artist HOUSES." The Rainbow Report is similarly impressed. Vanity Theft will play a CMJ Music Marathon showcase at The Studio @ Webster Hall, NY, on Oct. 20. Full US tour details are here. Check out their latest music video, Limb to Limb, below.
I have a song stuck in my head and it starts with a kick drum. It's called Limb from Limb, a punchy track from all-female alt-rock quartet and CMJ Music Marathoners, Vanity Theft. Despite having a band name and song title fitting for a Californian thrash metal band, these girls look and sound like anything but. Vanity Theft are Alicia (vocals/keyboard), Brittany (guitar), Elyse (drums) and Lalaine (bass), four talented young women hailing from Springboro, Ohio. Right now these girls are wowing crowds across the United States on a lengthy tour with with label-mates Sick of Sarah, no doubt fueling anticipation for their October 26 release, The Anatomy EP. Go Magazine's Emily Hall Smith describes Vanity Theft as "electric guitars, lipstick, and attitude. The Anatomy EP showcases the band's talent with both pop-tinged alt-rock and ethereal ballads. Sexy, coy, and confident songs with smart lyrics and melodies that won't leave your head. And two great remixes by Lefse Records artist HOUSES." The Rainbow Report is similarly impressed. Vanity Theft will play a CMJ Music Marathon showcase at The Studio @ Webster Hall, NY, on Oct. 20. Full US tour details are here. Check out their latest music video, Limb to Limb, below.
You Must Know: Vanity Theft by New York Post
Vanity Theft are made up of four smoking hot (sorry Britney) Ohio rockers, each gal more rocker than the next. Their music consists of super catchy, newly edgy and ridiculously fun dance tracks, that start off hard and end up all soft and sultry. Think of a club kid, Avril Lavigne and Taylor Momsen having a sleepover. Yes, it sounds like that. Vanity Theft have become known for their eardrum-slobbering live show, having toured the nation over for the past five years (many of which were self-booked), winning over fans nationwide. They’re currently in the middle of a national tour with Hunter Valentine and pretty much becoming the next lady brigade of rock that you must -- like we said in the title -- know. The ladies' new album, "Get What You Came For," was released digitally February 1 and will hit the real world shelves on March 1, but today the girls are offering up a 7-track remix EP that will pretty much make you a fan — if you aren't already. From a slam-dance puree of their track "Rattle Rattle" to a sleek rendition of their monster single "Missing Teeth," seven A-list DJs like Houses, Chrissy Murderbot and Jesse Christenson offer up some nice and naughty nuggets … and they are giving them away …. free. Take a listen to our fave remix of "Rattle Rattle" by Tiny Bill below and download the full 7-track EP here.
Vanity Theft are made up of four smoking hot (sorry Britney) Ohio rockers, each gal more rocker than the next. Their music consists of super catchy, newly edgy and ridiculously fun dance tracks, that start off hard and end up all soft and sultry. Think of a club kid, Avril Lavigne and Taylor Momsen having a sleepover. Yes, it sounds like that. Vanity Theft have become known for their eardrum-slobbering live show, having toured the nation over for the past five years (many of which were self-booked), winning over fans nationwide. They’re currently in the middle of a national tour with Hunter Valentine and pretty much becoming the next lady brigade of rock that you must -- like we said in the title -- know. The ladies' new album, "Get What You Came For," was released digitally February 1 and will hit the real world shelves on March 1, but today the girls are offering up a 7-track remix EP that will pretty much make you a fan — if you aren't already. From a slam-dance puree of their track "Rattle Rattle" to a sleek rendition of their monster single "Missing Teeth," seven A-list DJs like Houses, Chrissy Murderbot and Jesse Christenson offer up some nice and naughty nuggets … and they are giving them away …. free. Take a listen to our fave remix of "Rattle Rattle" by Tiny Bill below and download the full 7-track EP here.
VANITY THEFT RELEASE REMIX EP, ANNOUNCE LA RESIDEN by Altsounds
Vanity Theft’s new album, Get What You Came For, was released digitally February 1, with the physical release coming on March 1, and today we have another treat from the band- a brand new remix EP, Forget What You Came For, featuring remixes from Houses, Chrissy Murderbot, Jesse Christenson, and more. This EP is the precursor to a full-length remix album, which the band will be releasing this summer! That’s not all either- the band will also be performing at their Wednesday night residency at Club Moscow in Hollywood, from March 23rd and April 13th, which is the first residency the club has hosted in several years. Expect some surprises over the course of the month! The ladies have become known for their eardrum-beating live show, having toured the U.S. over for the past five years (many of which were self-booked), winning over fans nationwide. They’re currently in the midst of a national tour w/ Hunter Valentine, don’t miss out if they’re heading your way! Get What You Came For finds Ohio’s rockers at their very best- catchy, edgy and dancey as hell. The album kicks off with the charging track “Trainwreck,” and doesn’t let you go until the final notes of “Missing Teeth” slowly fade out. More to the point, these chicks R.O.C.K.!
Vanity Theft’s new album, Get What You Came For, was released digitally February 1, with the physical release coming on March 1, and today we have another treat from the band- a brand new remix EP, Forget What You Came For, featuring remixes from Houses, Chrissy Murderbot, Jesse Christenson, and more. This EP is the precursor to a full-length remix album, which the band will be releasing this summer! That’s not all either- the band will also be performing at their Wednesday night residency at Club Moscow in Hollywood, from March 23rd and April 13th, which is the first residency the club has hosted in several years. Expect some surprises over the course of the month! The ladies have become known for their eardrum-beating live show, having toured the U.S. over for the past five years (many of which were self-booked), winning over fans nationwide. They’re currently in the midst of a national tour w/ Hunter Valentine, don’t miss out if they’re heading your way! Get What You Came For finds Ohio’s rockers at their very best- catchy, edgy and dancey as hell. The album kicks off with the charging track “Trainwreck,” and doesn’t let you go until the final notes of “Missing Teeth” slowly fade out. More to the point, these chicks R.O.C.K.!
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