Death

This delicate piano-based interlude was used as the midsection of "The Whole Spirit: Redemption Songs" for somewhat experimental purposes — though I disagree with Edgar Allan Poe’s insinuation that aesthetic pleasure is the only criterion by which art’s worth can be legitimately measured (The Works of Edgar Allan Poe, 1884, p. 238), I wanted to see if purely beautiful, pensive music can help worshippers “discern what is the will of God — what is good and acceptable and perfect” (Romans 12:2, ...

This delicate piano-based interlude was used as the midsection of "The Whole Spirit: Redemption Songs" for somewhat experimental purposes — though I disagree with Edgar Allan Poe’s insinuation that aesthetic pleasure is the only criterion by which art’s worth can be legitimately measured (The Works of Edgar Allan Poe, 1884, p. 238), I wanted to see if purely beautiful, pensive music can help worshippers “discern what is the will of God — what is good and acceptable and perfect” (Romans 12:2, NRSV).