You should modernize your synth design by hitting it with some LFO's and effects to milk it up a bit. Like the general feel of the track, but I get a little OCD sidetracked with your pads at times. Layer your vox track with a dry channel on top of your effects/wet channel. Then... duplicate your dry channel and pan it slightly to the right. Hit both dry channels with some light compression and jack the output on the processor a little. Bring them both into the mix until your vox phattens up a bit. Pick a spot in your arrangement to introduce some sweeping pads that develop into a modest arp. Cover your low and high end on the scale with this... After which, you can call that your chorus. Its a great start, now you just need to vary up your musical arrangement to tell a deeper story, engineer some great effects and automation and she'll be good to go.
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