To keep it simple – yes, The Parson Red Heads are originally from Oregon; yes, the band includes family members; yes, they do like The Byrds - and yes, only two of them are actual redheads. Moving on … when The Parson Red Heads debut full length King Giraffe was released last year, they had already earned themselves a solid reputation in their home of Los Angeles that was backed up by successful Monday night residencies at Silver Lake Lounge and The Echo - but since its release, their presenc...
To keep it simple – yes, The Parson Red Heads are originally from Oregon; yes, the band includes family members; yes, they do like The Byrds - and yes, only two of them are actual redheads. Moving on … when The Parson Red Heads debut full length King Giraffe was released last year, they had already earned themselves a solid reputation in their home of Los Angeles that was backed up by successful Monday night residencies at Silver Lake Lounge and The Echo - but since its release, their presence has extended past LA’s city limits. The 60’s loving quintet has been reviewed and featured in Under the Radar, Harp, Death and Taxes, Performer, LA Times, San Francisco Bay Guardian and has had steady play on college radio (KG stayed in the CMJ top 200 for 9 weeks). They further solidified their reign over LA with a Monday night residency at Spaceland this January, and a performance on KCRW’s Morning Becomes Eclectic. To keep the ball rolling, they will release a six song EP this May called Owl & Timber that highlights both their subtle and sweet acoustic tendencies as well as their consistent need for psyched out jams.
After a few rotating cast members and other line-up changes last year, the dust has settled and The Parson Red Heads at their core are Evan Way (vocals, guitar), Brette Marie Way (drums, vocals), Erin Way (keyboards, vocals), Samuel Fowles (guitar, vocals) and David Swensen (bass, vocals), with the occasional help of Raymond Richards (pedal steel, guitar), Jason Wrightsman (tambourine), and Aaron Ballard (guitar, storytelling).
Starting out with the 8 minute plus guitar heavy “County Line” and then into the poppy “Out to Sea”, Owl & Timber finds the Red Heads exploring new territory, and expanding their song-writing. Mixing it up a bit, “Don’t Hold Back” was penned by Fowles, while all songs previously were those of Evan Way, and “Owl Me Timbers” is an instrumental that came to be after an impromptu jam during practice. Stand out track and first single “Got It All” has been a live favorite over the past year and mixes some of the group’s heaviest guitar work along with their catchiest hook to date, as well as the very appropriate Parsons chorus/theme of “We got it all”. Owl & Timber closes with “Crowds”, a song from their days in Eugene that has been re-worked and re-recorded, and features their signature vocal harmonies in their most appealing form yet.
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